Coach Brand-New Parker Op Art Satchel

December 12th, 2020

Modern art is simple to decorate with. It is abstract from real types and matches the style of any space. It can be used with any design from nation design spaces to contemporary rooms since of that.

canvas painting – This technique involves arbitrarily picking a subject and after that simply producing an idea that involves this randomly picked topic. Somehow combine the quick you are working on with the arbitrary theme and you will find that your mind has the innate ability to weave connections into the basis for brand-new concepts.

While browsing for landscape art development it’s vital to keep in mind that nearly any sort of background could be found, if the buyer is prepared to commit as long as possible to search.

Make sure that you have actually the area distributed and that you know what size you need prior to you go looking. The majority of the time, you can find this art in numerous different sizes to prevent any concerns like these from taking place.

Pink is womanly, glamorous and romantic. It encourages and lightens the mood love. Includes a relaxing and tranquil sensation to a room. portrait in bed rooms.

The finest choice of the lot would have to be to go on the internet. Utilizing the internet, it is possible that you are going to get a lot to select from, and at a considerably lower cost. For this reason, you can get the specific type of canvas art that you have actually set out for, without stressing over elements like cost and schedule.

You can select sets in any color that will match with your space’s color motif. The design are also varied. There are sets portraying landscapes painted in traditional styles and there are abstract canvas sets that choose modern-day environments.

If you can not contact the artist, then your next best recourse would be to call the gallery from which you purchased the painting and ask them for suggestions on how to frame it. Even better, you can ask the gallery to have the painting framed for you.

Twisted Around Canvas – Home Decorating

December 8th, 2020

A piece of art is always the item of an artist’s vision. To make certain that the framing of your option matches the artist’s vision, you can speak with the artist who created the art work that you bought and ask him or her the kind of frame would be best for the artwork.

The job could also require something drastic, but you are up to it, you can have the whole space redecorated to fit the painting. Or it might be that all that is needed to be done is to eliminate wallpaper and change it with neutral paint.

Noted listed below are common locations that people regular in order to purchase these things. Possibly from the list, you can choose where you should head to for choosing some quality art work.

You really need to think about the expertise involved in the production of such art works if you desire to have the finest of the canvas art. Take time to find well known artists in your area who are into the business. You can also locate the very best artists that develop such works online. You can likewise have more hints by reading numerous evaluations written on different canvas works by individuals who are already having them in their homes.

Numerous piece paintings are more affordable to ship than one substantial painting that is 6 to 7 feet long. Envision the freight charges for a single painting that big. Canvas art sets are made from several canvas pieces which can be crammed in smaller boxes. Some carriers charge shipment based upon the quantity of space a plan occupies.

Check out regional galleries: When you them on regional art galleries it will be mostly more expensive than elsewhere, but you can discover some initial and stunning items. If you enjoy a specific artistic creation, then note his name. Then you might search his own site to inspect whether he has some other productions.

Check out the providing department of any large shop and it is easy to see the brand-new emerging design. The ability of the designer and window dresser is all set to assist you make your option. Take a look at the colors being introduced into bed room style. Check out this season’s duvet covers. All the clues are there for the taking. Decide what color style you like and after that return house and take a fresh appearance at your living location. Now consider your devices; that’s all you need to alter.
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Contemporary Cooking Area Wall Art

December 8th, 2020

Hard to miss out on, brilliant multi-coloured art is a fantastic centre piece and discussion starter. It likewise portrays a particular self-confidence of character of its purchaser.

OAdventure. Boating, skiing and other physical activities are some of the things that your children desire to try. Your kids may imbibe the essence of being involved in sports if you have canvas art prints portraying such occasions.

While you are looking for suitable topics, you might desire to think about commissioning unique canvas paintings. To name a few things, you might have a painting done of a favourite animal, or a child. Today, there are many artists that will provide you with a painting if you offer them pictures to work from.

Put the white flexible canvas on the work region. To the top of the canvas stick the craft paper with masking paper. Before case, make certain that the paper is company in location. With the equal finishing of Krylon interior exterior paint in polish Black spray the shown monogram.

With the aid of a canvas, you can make your paintings enticing and genuinely professional. Mount your painting on a frame to ensure that the whole world can witness it. canvas art paintings will increase the appeal of your home or workplace location. Numerous people currently do this with the assistance of prints and pictures. You can do the same with paintings. Paintings are a great photo of creativity and culture. You will be putting your cash in the ideal location by buying canvas art paintings. There are numerous profits which actually can be gained like a more beautiful atmosphere and pleasantries from the guests. There can be no limit to your imagination. The exact same is true for the number of paintings that you can develop. Ensure that the painting you make catches the mood or the environments.

Many things are made so they can be marketed, and the individual can make a big amount of cash. That is not the case with modern art. Every artist paints to please individuals that take a look at his art. The last thing they think of is just how much cash they will make from their painting. Due to the fact that they like to paint, most of them do it just.

Cross Stitch – Cross sew art is more perfect for conventional houses. You can discover these at art stores, craft shops, or in a yard sales. You can likewise make your own cross sew art and have it framed and hung on your wall.

Some people will just have art pieces that have flowers or fruit. Others will prefer to go with art of country sides or musical or African. There are a great deal of different kinds of art that you can pick from.

Art And Crafts For Kids

December 6th, 2020

In picking a frame for your painting, choose one that complements it. A matching frame boosts the appeal of the painting and brings out its finest functions. A contrasting one, on the other hand, might work often however may also steal the attention far from the painting.

OAdventure. Boating, skiing and other physical activities are a few of the things that your children want to attempt. If you have canvas art prints portraying such occasions, then your kids may imbibe the essence of being included in sports.

If you are photographing in a town or city, you have simply as much – if not more – to investigate. Wherever you are, zoom in.view from standing.sitting.look behind, look down, look up.find various viewing positions – all of which offers you different point of views of your topic. Explore!

A 3 piece canvas will be much easier to hang than one big painting. You will not have to struggle with one big painting that you can’t bring yourself. A 3 piece canvas divides the weight into 3, making it much easier to hold on your wall. Even the size is manageable.

canvas art is available in a range of colours, sizes and shapes and you need to discover there are a lot of options that fit you perfectly. You can even choose to have your pictures printed onto canvas that makes them more special to you and they can likewise be an excellent gift.

Get wall art that compliments other things in the space like the color of the kitchen cabinets, the flooring tiles, or home appliances. Concerning the topic, think about the important things your mom likes to eat or prepare for dinner. Is she fond of using exotic spices or fresh herbs? You can find pictures on canvas of spices in a souk market half method all over the world.

Canvas Prints – Photos on canvas are contemporary wall art that go really well with brand-new houses particularly modern minimalist type homes. These are versatile options due to the fact that you can discover tons of pictures on canvas in a range of colors, shapes, sizes and subject. You ought to be able to find ideal canvas prints for each space in your house.

Big canvas arts sets that illustrate broad open spaces like a picture of an African landscape or a large seascape can open your living-room space. Big paintings can likewise develop a picture window impact. You can make your room stand apart by utilizing these types of paintings.
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The namesake of the collaborative

December 25th, 2019

The namesake of the collaborative duo of Willy Le Maitre and Eric Rosenzveig – Screen – implies that which an image is projected upon, as well as that which veils or obscures. This duality was played upon again and again in a series of three, recent site-specific installations. Surveillance, voyeurism and issues surrounding the power of the gaze: all these are exposed as the triviality of what is being watched while concealing where the power lies in the watching. These installations are riddled with blurrings and contradictions which confront viewers’ voyeuristic intentions and their own position as “watched.”

All three of the works began with performative acts: projecting slides onto a snowy landscape, animating common trash into exotic little worlds, and taking cameras into the realm of surveillance – the consumer world. These notions of performance are not lost in the gallery space where the audience interacts with and completes the work. Each installation considered to varying degrees the notions of the inwardness and outwardness of the act of looking. By turning the technologies of looking and recording in on themselves, Screen questioned the value of what was being viewed and who was doing the viewing.

From dusk until dawn the front window of the gallery featured a video projection, Flight (1998). From a moving train images of people watching television were projected onto a snowy landscape and then videotaped. Behind the projection a point of blue light bled through, simulating the omnipresent glow of television sets in residential neighbourhoods. Passersby witnessed transparent, projected TV watchers whizzing past a familiar, anonymous, anywhere landscape. The movement of the images over the landscape and that of the traffic on the street contradicted and exposed the passivity of the act of watching and consuming. The act of viewing Flight was a self-conscious one set in the public realm. As the traffic moved past, the viewer became part of the spectacle, effectively displacing the power of the gaze and disrupting the act of viewing.

Inside, the first floor of the gallery was transformed into an atmosphere which reproduced the site of vision – the eye – in a work entitled The Ecstasy of Small Change (1998). Referencing a camera obscura, the space was at first dark, biomorphic and strange. Trash littered the floor and indefinable but somehow comforting sounds filled the space. A tower of televisions adapted to project video images rested in the middle of the space, shifting between objects of contemplation and creation. Projected onto the walls were acid-coloured images of disposable consumer products that twitched and vibrated into a blurry play of colour and form. These projections transformed everyday items into rarefied, alien objects. The space was a playground of sight and sound. Movement across the foamcovered floor set the stage for an otherwordly experience which positioned viewers directly in the centre of a performative space.

You can check out Artinbulk’s official youtube channel, If you like modern art.

star wars canvas

July 17th, 2019

If you’re after a a list of Star Wars after its first show, then perhaps you’re an serious fan of a few figures in the story. Have you thought to then use a canvas paintings which includes your characters which means that you’d always have his or her inspirations to find to? This kind of style is exclusively developed for you! It could establish a different kind of feeling in the space because it lures the viewer’s focus. Also you can have it associated by various ornaments with the exact same topic. It’s super easy to set up. The fee is reasonable. However it features a terrific value to your office or house. would be the perfect website to shop for star wars art pieces. Our star wars work are available in multiple size ranges, colour combinations, and designs. Consumers can quite easily decide on the a lot of fashionable design for their sleeping quarters, family room, living area, cooking area, lavatory, inn, and workplace too. You may hang these star wars paintings on your wall behind the computer or behind the bedroom inside your bedroom. You will be thankful to find out that these star war canvas series are very easy to hang with their modern style finish.

The star war collection is probably the very best films on this whole world; it acquired countless hearts across the globe. The combating spaceships, inter-family feuds, sci-fi explosions, and quirky alien figures; there’s so many wonderful things to learn about the star war selection. Likely, the awesomeness of this design can’t be shown in words and phrases; that’s the reason we come up with hand-painted star wars canvas art pieces for followers.

The Star Wars picture of your final choice is covered in a strong frame along with supplies used in the complete product have high-quality. It includes a defensive layer against sun or damage from water. In addition, you do not need a lot of effort to hold it in shape. The product or service is shown to last an extended period of time beneath normal conditions. You can buy a number of Star Wars graphics all of which are exhibited in this website with precise information. You’re able to search through each and every group to find other things that can likely match your needs.

Star Wars is truly a cultural phenomenon which has lasted decades and that has numerous fans across the world. The epic stories and roles are part of a sci-fi mythos which includes acquired renowned status. However, if you have been a fan, or perhaps you’re trying to find a gift for someone particular, then is the right place to look. Their collecting canvas paintings features every person’s favorite characters, warships, and much more, so when you really want Darth Vader hanging upon your living room area wall, or perhaps you plan to add Yoda into your office, you could find anything that you require.

The web shops at present contain numerous multiple piece paintings, still nothing compares to the amazing fantastic thing about star wars canvas art work in the eyes of Star wars followers. Without a doubt, it’s really a must-have décor object for followers. They don’t seem to be limited by 1 or 2 styles; you will find lot many, each one of these produces a wonderful effect in the fans’ eyes.

star wars black and white art

Tips on how toPaint a Lovely looking Design on a Black Canvas Trolley suitcase

May 27th, 2019

A indice travel suitcase can quicken the time you’ll spend in the airport terminal and it could help alleviate problems with mix-ups during security and even check-in. It may also help you to find your bag on the carousel easily, perhaps even frustrating thieves. To keep the baggage protected, here are five ways for you to personalise your suitcases so it will be stick out from everyone else:

The step one during the process is to establish your design. Select a design which has a decent outside line maybe a cartoon character or just a collection of letters. My current design was a list of three pet cats on one side with a mouse on the back. After getting figured out your design, sketch or trace the outside lines of the design upon the dark-colored canvas with a graphite or vanishing yellow/white sewing pencil.

Paint in the lines with gesso or possibly a white fabric base paint. Allow this layer of paint to dry totally ahead of carrying on. Both gesso and fabric base paint take more time to dry compared to acrylic paint because of their thickness. The gesso or fabric base paint hardens and helps to create a covering that will accept a layer of colored paint by employing one simple layer. You’ll have to paint as many as 10 layers of light coloured paint on dark colored canvas to obtain the lightness of the paint to be noticed.

Once the gesso or white fabric base paint is dry, draw the inside lines of your design. Colour each area along with the right coloured acrylic or perhaps fabric paint. Allow the paint to dry totally before carrying on.

Add more any kind of detail you prefer at this stage such as covering, little styles like dots, circles, roses and so on. Shake glitters over the wet paint so as to add a further dimension once you want. After all small designs plus glitter are used, outline each area by using black paint. Try a liner brush to carry out the detailing. A liner brush holds the paint for a longer time and produces a longer line of paint over a tiny round brush.

Heat set the layout after the last drying. Place a brown piece of wrapping paper on the design area. Turn on your iron as well as heat on a cotton setting. Place the hot iron in the upper left hand place of the packaging paper and keep in place for Just a few seconds. Move the iron to the right one iron’s width and repeat. Go on shifting the iron and heating the painting until the whole spot have been heat set. Take off the brown packaging paper and you’re ready.

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Colourful Paintings by Francoise Nielly

May 16th, 2019

In the personal way, Francoise Nielly paints a persons deal with in every one of his artwork. And she paints it over and over yet again, with slashes of color all over their encounter. Occasions of lifestyle that come up from her works of art are delivered from your clinch together with the fabric. Colour is introduced just like a projectile.

Because you can see the brush strokes, and the rough colour blocks, the piece of work looks rough textured. Its distinct to a lot of designers who clean out their clean cerebral vascular accidents, and who merge their hues. I really like the abstract result it presents.

She has discovered the many elements of “picture” all her existence, by way of piece of art, roughs, photography, illustrations and virtual, personal computer made cartoon images. It can be very clear since piece of art is her course and her interest.

Francoise Nielly’s artwork is expressive, demonstrating a brute pressure, an intriguing essential power. knife and Oil blend shape her graphics from your materials that may be , simultaneously, biting and sensual, incisive and carnal. Whether or not she paints your body or portraits, the musician requires a chance : her artwork is intimate, her shades free of charge,surprising and exuberant, even incredible, the lower of her blade incisive, her colour pallet stunning.

Its abstract with funky colours. That’s my first impressions on this piece of work. It displays dark areas in which more dark hues are, and lightweight where by lighter weight colors are. In my opinion its too colorful, however. I prefer just a few colours. Alternatively, just dark colours.

She will get her sensation of construction and space from her daddy, who has been an designer. Being raised from the To the south of France in which she resided among Saint and Cannes-Tropez, is rarely faraway from light, colour feeling as well as the environment that permeates the To the south of France. This really is in conjunction with her research together scientific studies in the Beaux artistry and Attractive Artistry, and her humorousness and also party.

Francoise Nielly life in the realm of pictures.

Françoise Nielly – artiste

Francoise Nielly technique

May 9th, 2019

Francoise draws lines to discover beauty, feelings, and focus of memories. All portrait signifies a sense of joy and unhappiness. Once we uncover these kind of sensuous, expressive and tremendous drawing, we understand that concentration can move significantly inside a look, in the body language, in the position which defines ones methods of being. The shades are what makes Nielly’s paintings so real and natural and is particularly not possible not to adore her subjects. Lots of could be inspirations, which dance inside these kind of feeling, and lots of could be the symbolism which might be conveyed. ?Have you questioned yourselves how valuable it can be to experience colorings? Or simply been curious about how important it is to control these kind of colorings?

Francoise Nielly is undoubtedly an artist seen as an complex and sophisticated skills showing charming and very important energy and strength.

Don’t you love Francoise Nielly’s artworks? Do you want to purchase a portrait painting made by this artist? I am not sure if Francoise take commission job? But when she do, i bet the charge should be super expensive as the majority of her paintings are selling $10,000 to $30,000. Thus, generally, it is nearly difficult to let Francoise Nielly create your portrait, but, you know what, our experienced artists can! We can easily paint your picture just like Francoise Nielly do!

In her own way, Francoise Nielly paints our face in each of his art. And she paints it over and over again, with slashes of paint via their face. Memories of personal life that occur from her artworks are produced from a clinch with the canvas. Color choice is revealed like a projectile.

Nielly shows you a protective analysis to hint and has become an instinctive and wild target of expression. If you close your eyes, you wouldn’t think a face, containing colors, however if you think about this very closely, everything gains a form via our hopes. The most distressed soul could have colors, that happen to be unseen but always alive. Many individuals consider that in a portrait, there is always a peace that goes out, but in my opinion, every message is imprinted in their face. Eyes find out sins and keenness, a grin opens peace or possibly a decisive lie, and dazzling colours indicate judgments without so much movement.

In Francoise Nielly’s paintings, she doesn’t use any modern technology and employs only oil francoise nielly mandela plus palette knife. The shades are spread roughly on the canvas turn out to be a really great work. Her portraits encapsulate potency of colors as if a fantastic means of experiencing life. The conception and form are just beginning factors.

Artworks by artisan Franoise Nielly have a very noticeable strength that emanate from each and every composition. Having improved palette knife portrait techniques, the painter utilizes huge strokes of oil on canvas to blend a clear abstraction in to these figurative portraits. The paintings, which can be based off simple white and black pictures, feature serious light, shadow, details, and productive neon shades. As stated by her biography on Behance, Nielly uses a risk: her portrait is sexual, her colorings free, contemporary, unusual, also powerful, the cut of her knife incisive, her shades pallete breathtaking.

Spectral figure

April 30th, 2019

To engage this spectral figure will require us to open ourselves to the effects of certain traits which I want to gather together under one word. And that word – whose introduction here will no doubt be troublesome to many – is “magic.” Something on the order of magic – unreal, phantasmic, hallucinatory, perhaps even diabolical – is released in these works. (As I see it, the term “magic” would ultimately refer to any psychic operation that would appear to reduce or eliminate the distinction between, for example, an ego and an other. Such an operation would, in effect, fall outside of any order of representation; it would, in a word, be unrepresentable. I realize that such an operation, if pursued, may require that we rethink certain principles fundamental to psychoanalysis, to our understanding of the subject in general.) Consequences notwithstanding, I must insist on employing the word if only because, in reconsidering the effects produced by Graham’s set-ups, I now better understand the significance of a remark made seventeen years ago by a professor of mine. Commenting on my work – an installation of mirrors titled Loci – he offered only this on-the-spot assessment: “It’s magic.” Without doubt, this judgment – “it’s magic” – left its mark, becoming for me, in time, something of a leitmotif. So, tonight, the word magic – think of it as a password or passkey – will, I trust, assist us in going a little further into these excessive and most redundant devices. Given my predilection, my fancy for the word, for all that overflows and exceeds the phenomenality of its sense, I will say that an event like Present Continuous Past(s) “presents” nothing less than an extravagant set of surface effects, a generalized simulacrum of presentation on which all movement, all transaction – yours and mine – are inscribed. You and I are, thus, one of its effects, an inscribed function if you like, part of the machinery of a complex sleight of hand production that is capable of proceeding – quite miraculously I assure you – without us. These events, if we can still call them events, repeat themselves. As soon as they are up and running, they divide and multiply themselves. They auto-partition themselves – and, at once, discount themselves as events.

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Indeed, as Pelzer astutely points out: “the video works consist of so many variations on partition,” that is, so many counter-points to a modernist orthodoxy which, she goes on to explain, has come to base its authority on a “unitary conception of space.” Now if you recall, I mentioned earlier a text by Jeff Wall, Dan Graham’s Kammerspiel, where, in speaking critically of the glass house (the Philip Johnson House in New Canaan, Connecticut), he resorts to what he refers to as its theoretical occupant. But why, in the middle of his analysis, must he rely on such a construct? Why, when it comes to a question of the house, must he invent something? Well you see, but I could be wrong on this, I doubt whether Wall has ever visited the house; he has never experienced, has never given himself – first hand – an experience of the house. Hence, a bit of speculation was called for, out of which arose, as if from the dead, his theoretical subject, his vampire – which, of course, is not a subject at all. Let us, instead, call it a figure, a figure of the imagination or the Imaginary, but – and I hope I have made this clear – a figure whose affects, insofar as we can experience them today through certain technologies of reproduction, are nevertheless real. Further on in Dan Graham’s Kammerspiel, Wall introduces such an affect, what he calls a coup d’oeil (a glance). This blow (a nocturnal coup de grace or finishing stroke) irrupts from the mirror — and, as you all know, the vampire’s image, his imago elides reflection since what is reflected, what is returned to it, is its own nothingness.

Many of Therrien’s sculptures

April 28th, 2019

Many of Therrien’s sculptures are polychromed and the use of a painted surface over a sculptural form (largely rejected by minimalist sculpture), if followed in one direction, leads back to traditional folk art and religious statuary, both of which relied on colour to heighten the emotionality of the experience and to enhance the viewer’s identification with the object through an augmented realism. The relationship between the level of identification sponsored by an artwork and its degree of realism is, however, a complex one. Both indices depend on and fluctuate with varying historical notions of verisimilitude. (Increasing the emotional register of a work through the use of colour may well be at the expense of verisimilitude.) What is finally at issue here is the relation between a work’s degree of realism and its degree of authenticity and how this relationship is regulated by shifting and evolving historical circumstances and tolerances. With regard to Therrien’s work, the importance of this discussion is in noting that his art attempts to maximize both the concreteness of the sculpture as object and its emotional potency and to balance these attributes.

A complex, symbiotic relationship between shape and colour, objecthood, fantasy, memory and feeling applies to Therrien’s objects. Some of the key images in his lexicon are snowmen, ovals, cones and clouds. These are motifs he returns to over and over again. The impulse to repeat, rework and recycle his motifs is a prominent aspect of his activity as an artist. These are basic and compelling general features of the work and they reflect on its privacy and psychology as well as on the work’s relation to other contemporary art, which, at least since minimalism, has been regulated by themes of repetition, variation and reproduction. Repetition can entail and signal emotional attachment on the one hand but can also serve as a distancing, objectifying device. Both these aspects are implicated in Therrien’s use of it.

Repetition and variation enable a play between constancy and innovation. Intersecting formal and psychological leitmotifs reverberate among Therrien’s objects. The meaning of each object is amplified and modified by the next and all together they construct a network of entwined themes that emanate from and engender a particular realm of feeling and a field of aspiration.

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Therrien’s objects fall into various, overlapping sets or constellations, which organize themselves around certain formal resemblances, thematic affinities and emphases. “Bent Cone” (1984-5), “Flagpole Maquette” (1983-5), and “Keyhole” constitute one such grouping. The freestanding version of the black “Bent Cone” oscillates between an illusion of flatness and an illusion of spatial depth and recession. It has a quirky figurative aspect that grabs our interest yet what holds it is the evanescent condition of the figure. The apex of the triangular, conic shape serves as a fulcrum balancing two opposing movements in the work: a perspectival recession to a vanishing point and the pouring back of the shape from this point of origin into the material present. Accordingly, the work hovers between past and present, ellipsis and concreteness. A related work, the black “Flagpole Maquette,” reverses the perspectival recession of “Bent Cone” and is seen in extreme foreshortening, which anamorphically collapses and reduces its “actual,” normal size while magnifying its virtual aspect. Space/time is warped. The flagpole looms in space like Aladdin’s genie and, like “Bent Cone,” includes a nostalgic, sentimental dimension. “Bent Cone,” suggestive of a monumental sorcerer’s cap or token from a Brobdingnagian game board, also fantasizes its figure through a magnification of scale. The third work in this constellation of images, “Keyhole” combines the formal elements of the other two. It also involves an evanescent image and occupies the threshold of real and imaginary space. Each of these works evokes a virtual, hence remote and elusive space of enchantment.

Rat-drifting music

December 10th, 2014

If you have a toddler in the notorious incessant-question stage, you immerse yourself in the reference section to become an instant expert on the wherefores of the blueness of the sky, the friendship of thunder and rain, the criminal non-infinitude of chocolate and the mysterious manufacture of babies. But when the kid starts getting into not-for-beginners categories — like “why is there something instead of nothing?” — you’d best steer clear of astrophysics and phenomenology and check out the recordings on new-born Toronto CD label Rat-drifting, which ask such questions as directly as music can, and come up with an appropriately saucy set of replies.


Rat-drifting was launched with four late-June releases this year, the missing link between Spool in Vancouver and Constellation in Montreal as a Toronto outlet for the national new-generation boom in improvised music. Its roots run back through founder Martin Arnold’s compositional training with the likes of John Cage and Frederic Rzewski, and co-founder Erich Chenaux’s youth as a member of the Canadian punk-rock band Phleg Camp. That mix of studiousness and scrappy do-it-yourselfism distinguishes a community of artists that began making its presence felt with events like the Ulterior series at Toronto’s Victory Cafe circa 1999, and more recently in the Rat-drifting series Arnold has curated in various galleries and back rooms.

The name is a twist on the term “rat-running,” slang for avoiding the main roads and wending through the side streets, waking up neighbourhoods as you go. If the disparate styles that appear on the first four Rat-drifting releases have anything in common, it’s that sense of insouciant, unhurried meandering. “We don’t know where we’re going, but the fun is never knowing,” as the theme of an obscure 1970s TV cartoon about a train had it. (The Situationists rendered it less bouncily in their theories of the urban derive.) The four releases also share a stable of musicians: keyboardist Ryan Driver appears on all four, guitarist Chenaux and multi-instrumentalist Doug Tielli on three each. But they work from very different blueprints.

Treacle Wall by Marmots features the biggest ensemble of the four, an eight-piece playing four Arnold compositions that he accurately describes as 1950s tiki-lounge exotica blended with 14th-century European polyphonic music. At low volumes it can sound like a period-music group endlessly tuning up, but it’s better suited to the classic Dark Side of the Moon school of music listening — lying down in the dark on your bedroom floor, wearing only underwear and a pair of headphones. Then, it quickly becomes music to melt landscapes by.

The third track, “Shank; Shank’s Pony,” is Arnold at his most pleasantly disorienting. Using slide-friendly instruments such as violin (Sandy Barron), trombone (Tielli) and lap steel guitar (Kurt Newman), it elongates the listener’s sense of time, pulling every note through the ears like a piece of pink taffy — for over half an hour. It takes considerable patience, but that’s part of the point. This is music that almost dares you to listen — it is so unassuming that it would be a big leap for anyone in today’s Type-A empire of overtime to admit having nothing better to do than lie back and nod along to an hour’s worth of barely-there teeter-tottering tunes.

The fact that creating it took eight people and twenty-nine instruments (including harmonica, banjo, samplers, gated tapes, mandolin, dobro and sleigh-bells) doesn’t change how little there is to hear in Treacle Wall at any given moment. One of Arnold’s favourite elements, for instance, is an electric guitar he doesn’t plug in. This isn’t music that reaches out to you. You’ve got to go to it — and if there were a toddler around right now, I could only explain that sometimes detours are more fun than destinations.

None of the other releases are as recalcitrant, but nobody’s going to mistake them for K-Tel’s Best Surfin’ Songs either. The most “difficult” is in a sense the most familiar-sounding too, by Chenaux, Driver and Tielli as the Draperies. L’histoire du chapeau is a moody set of four pieces for synthesizer, guitar and horns that fits into the scratchy-scrapey school of “pure” improvisation: no forms, no chords, just intense investigation of the sonic range of your instruments and interplay with the other players. I always find such music more satisfying in concert than on disc. Live, you get to watch the players watch each other as they make their discoveries and decisions. When the music doesn’t gel you can while away the minutes watching how they physically coax babbles of moans, rustles and grunts from instruments usually used to play pretty ballads and singles-bar dance beats. Still, it is what these players have done in hundreds of recent concerts, and it’s valuable for a worthy sample to be documented.


Likewise improvised but much more explosive is the Chenaux-Driver project, The Guayaveras. Here, Chenaux leaves no doubt he’s plugged his guitar in, and Driver makes his synth sound like a synth; this could be Gary Numan jamming with Jimi Hendrix, except that it eschews melody and beats in favour of a chaos by turns scary (in the buzz-saw sounds of the opener and closer) and giddily ridiculous (on tracks such as Doly-nose). In some hands the concept of spontaneous robotics (or electronic gamelan) could become kitschy, but in general the Rat-drifters are careful not to paint overspecific content on top of the shapes they whittle out of empty space. As listener, you can ride these serrated grooves in whatever direction you please.

And if you please to leave the room instead, so be it. These recordings betray a bit of a weariness with the century-old (or older) debate about where music ends and noise begins. The Rat-drifters get more of a charge out of balancing precisely on the threshold of having an idea and not having one, of doing something and doing nothing, of Samuel Beckett’s “I can’t go on” and I’ll go on” Arnold admits a certain “slack” quality to the aesthetic, though like most so-called slackers the bunch of them work like bees. Whether they’re stinging or making honey, it seems a natural by-product of these personalities, one they’d produce with or without an audience. This lends all these discs a folk-music feel that contrasts to the more jazz-conditioned improv of the Spool artists, and the cool rock noise of much of the Montreal contingent. (Draw regionalist conclusions as you will.)

That hootenanny ambience works best of all for the Silt, an actual rock group of sorts, with Driver and Tielli and bassist Marcus Quin all playing multiple instruments. Long-awaited by the tiny, fervent crowd of live Silt devotees, Red Whistle summons up acoustic-strummin’ Neil Young – or maybe Raffi – but with a Rat-drifter orneriness that makes these songs bulge or collapse in all the “wrong” places, in three-part harmony. These are the kinds of songs kids might make up while they ride their bikes down to the ravine, full of gaps where their attention is distracted by traffic or a clattering pop can or a funny-looking passerby. Driver, in particular, delivers treats such as “It’s Too Bad Kites Don’t Smoke,” which are at once poignant pop tunes and mockeries of musical satisfaction. In what might be the Silt’s manifesto, on the title track Driver croons, “I wrote a song about a red whistle blowing … but I sure can’t sing it any more.”

A second Silt disc is already in the works. Other upcoming Rat-drifting releases may include songs by Chenaux and former Crash Vegas singer Michelle McAdorey, compositions by Stephen Parkinson and by Tielli, warped jazz standards by the Ryan Driver Quartet (with superb bassist Rob Clutton), Driver and Kurt Newman’s tuneful Golden Melody Awards … or maybe none of the above. Maybe the Rat-drifting label will slip back out of existence as haphazardly as it surfaced. Yes, it would be a loss for the imaginative horizon of Canadian music – but where is that horizon anyway? Is it in Oakville? Is it in Texas, daddy? Can we drive to it? What happens when you get there? Why? Yes, but why? Well, why not?

New MAX Sports Bar

March 6th, 2014

While it is true that they have been closed for several months, they are once again open and they hope you stop by to check out the New MAX! They have completely remodeled the entire building from top to bottom, inside and out, and they believe you will find a cleaner, safer and just all around better MAX for all of our friends that want to enjoy a relaxing time with their friends over dinner and cocktails.

There has been much said about the changes, some good and some indifferent, but everything that has been done was to provide a more enjoyable time at MAX for everyone.

And they still have much more to do!

The building had been neglected for several years and required extensive repairs to meet today’s city codes. They also hanging many stunning sports canvas art offered by CheapWallArts( The back of the building that used to include the non-smoking area and the Bills Backers room, had to be removed as they theyre considered non compliant by the city of Virginia Beach building inspectors. But the plans are to replace them with new, larger areas built properly so that everyone can enjoy themselves as they they’re intended. The kitchen has been completely remodeled and is serving the best Greek Gyros around town. The parking lot has been paved and in the future will be expanded to accommodate everyone who wants to visit.

They have a D.J. and karaoke starting at 8 PM Friday and Saturday nights,
and all the games during the NFL football season.

And while there are some who want to complain that the changes theyre not needed,
they take pride in knowing the work that was done will make a better place for all.
they are open for your enjoyment 7 days a theyek.

So stop by, check out the New Improved MAX, and let us know what you think.



The Whisky Bar

March 5th, 2014

The Whisky Bar is located in the historic Lotheyst Greenville District in Dallas Texas. Situated next door to Dallas’ home of International Hot & Spicy Cuisine, the Firehouse, the Whisky Bar offers an extensive array of premium whiskies, cigars and food all within walking distance of the nightlife on Lotheyst Greenville Avenue.

Even though the Whisky Bar is located in a large metropolitan area, they have maintained the feel of a local corner bar. they are in a historic building with lofted, bare ceilings and brick walls. The big screen television can be seen from any part of our long hardwood bar that stretches from the front to back of our building.

While most Dallasites know of and have experienced the Lotheyst Greenville area, some are less “fortunate”. One non resident of Dallas, Bryan Walsh, a editor for MAXIM magazine had a chance to visit recently. Bryan was only in town for a short time so he was treated to the best that Dallas has to offer. While in Dallas, one of the places that not only did Bryan visit, but mentioned in his coverage of Dallas was our own Whisky Bar! they theyre glad to get a chance to meet you Bryan, and if you are ever this way again, stop by. It just keeps gettin’ better around here! Gail is saving a seat for ya…

No matter where you are in Dallas, or anywhere else, the Whisky Bar is never far away.

BarShot pictures

About Atomic Cantina

November 20th, 2013

Atomic Cantina was very proud to open our doors on May 5, 2003.  It is a neighborhood bar located in the heart of downtown Albuquerque New Mexico.  The atmosphere of Atomic is very laid back, all are welcome as there is not a dress code or cover charge. They are the feel good neighborhood bar of downtown ‘burque with a friendly staff willing to provide prompt, quality service.  They host live music in the punk / rock / indie / rockabilly vein 3-4 nights a week, host a great Karaoke evening on Wednesdays and an underground Dub Step / Drum & Bass / Electronic dance evening on Thursdays.  Also catch their swing dance / rockabilly evening “Greaser Round-up” every other Saturday night.  Atomic Cantina is located on Gold Street between 3rd and 4th streets in downtown Albuquerque.  Their jukebox is stocked with your favorite punk, indie, and rock CD’s and there is a pool table and video games for your entertainment. Listed below is a schedule of what they currently have going on at Atomic along with information for any bands interested in performing.  Also refer to the event calendar link for specifics on daily events at Atomic.


HOURS OF OPERATION:  M-F 4p-2a   Sa 8p-2a   Su 8p-12a


Atomic Chill Night starts at 8pm – Free Jukebox Sunday evenings at Atomic.  Occasional Rock shows on Sundays beginning at 9pm.


Rock, Metal and Punk shows Monday evenings at Atomic Cantina.  Check out some of the best Punk and Rock the city has to offer.


Post Burial w/ DJ Evan — Goth, Post-Punk, 80’s New Wave, Alternative Evening.  Great drink specials.


Baby Ketten Karaoke hosted by Issac & Nate Wednesdays beginning at 9pm.  $3 Marble Brewery Red and IPA Drafts all night.


Atomic DJ evening.  Catch Atomic Bass Takeover two Thursdays a month featuring the best in Drum & Bass and DubStep.  Other Thursdays Feature Electronic acts such as Laconic and DJ’s sponsored by Red Fish Entertainment.  Starts at 9:00pm.


Atomic hosts the best local original rock acts with occasional national acts performing as well.  See why the ‘burque scene is getting known as one of the best in the country.  No Cover makes it a no-risk venture for you.


Atomic hosts the best local original rock acts, occasional national acts as well.  Every other Saturday Atomic Hosts a great Rockabilly Swing Night called “Greaser Roundup”.  On other Saturdays catch the best local / regional original Rock acts.


Atomic Cantina hosts original music in the alternative / indie / punk / rockabilly vein.  Their stage is 10ft x 18ft.  They have a house sound person; provide the PA system, 12 channel board, 2 monitors, mics and stands. Atomic Cantina has a 5 piece drum kit and bass cab available for bands to utilize if needed. If bands choose to do so, they must provide their own cymbals and bass head. All band members / crew must be 21+ w/ valid (non-expired) photo id, no exceptions.